Tag Archives: Learning

Getting Started in Calligraphy


Calligraphy. Getting started. The Scribe's nightmare.

The Scribe’s Nightmare.

I strongly suggest that beginners read this post first and then click on Lesson One. Familiarise yourself first with the Roundhand alphabet. I am sure it will save a lot of heartache later.

Firstly, there are so many products on sale, all purported to be the must have for the budding scribe. For the time being, my advice is to forget all that. Keep it simple. Buy or make only that which you need to get through the next stage in your journey. All the pens and brushes in the whole wide world are of no use if you have no idea what to do with them.

If you follow the Calligradoodles videos and use the worksheets that go with them, you will notice that all the elements are made up of pencil marks on paper. So, all we need to get started, is a sheet of ordinary copy paper, a ruler and two pencils joined together with elastic bands. ( Better than tape when it comes to sharpening ). A board of some description propped at an angle of about 20 degrees on your table, or even on your knees ( Not good for the back! ), will be enough for the first few sessions.

So, now you are able to construct a half decent Roundhand and Roman alphabet and are ready to progress. You will need a pen and some ink, and once again there are so many products out there that confusion can easily set in, so simplicity is best.

A fountain pen set with 4 – 6 nib sizes and a good supply of cartridges or ink is a good addition to your tool-box at this point. A couple of pen holders and some broad nibs plus a bottle of black calligraphy ink ( not waterproof, this will easily clog your nib ).

Here I shall make no apologies for directing you to Bill’s Art and Calligraphy Supplies  I do earn a small commission from Amazon on any sales, But please don’t feel that you have to buy here. The main reason for setting up this A Shop was to illustrate the mind boggling choices we have just in this one discipline. The Book Section is mind blowing! If I can raise a few pennies to offset expenses, thanks for your custom.

The Technik Art Layout Pad  A/3  is a handy addition right now. Only 50 gsm means you can make one guideline sheet and lay it under each page. A good tip at this point is to rule lines at 1/8″intervals from top to bottom of that page. If you do this in landscape format it will be much more versatile. When laid under the actual working page it is easy to mark an X over 1,2,3, or however many lines it takes to make up the x height needed for the particular nib size you are using. This will stand you in good stead for the rest of your life. If you do have to draw lines, always draw them in multiples of 1/8″ according to nib size. More on this as you progress.

The Brause assortment calligraphy set or William Mitchell right hand italic set. ( There are left hand versions available, and you will find a really good book for Lefthanders in the book department ).  ( See also The Left-handed Calligrapher, here at Bill’s Space, and for more support and info try the Facebook group, Calligraphy for the Left  Handed ) .
The Manuscript Leonardt Calligraphy dip pen nibs – Italic and Poster set, is particularly good value.  A bottle of black Manuscript ink or set of three, black, gold, red, W & N inks will keep you busy for a while.
A better quality paper is now needed to show off your new skills so a pad of Daler Rowney A/3 might be your next choice. Why A/3?  Simply, this size gives more scope for layouts. If you need a smaller format, it is no problem to cut a page.
For line drawing, a Rowney or any of the many boards or drawing machines available will make life a bit easier, but I find a set square running along a 2 foot ruler taped to my board is quite sufficient. Incidentally, I use a home made    light -table whenever possible. If you try this, PLEASE USE ONLY TOUGHENED GLASS.There is a commercially made Artograph box in Bill’s Art and calligraphy supplies.   A “T”-square is a handy addition and perhaps a few basic drawing instruments next. You see. Your collection is building up already. But only with stuff you use. Not just stuff!
Scribblers have kindly issued 50 calligraphy tips You might find these useful.
By the way, when conducting a workshop, I usually ask participants to bring with them the following articles if at all possible.
A drawing board, approximately 18” x 24”. MDF or something similar will do, Something to prop it up to make a writing slope, i.e., a piece of wood 4” x 4” or perhaps a brick wrapped in a carrier bag.
A ruler , preferably 2 foot, and a set square.
A set of roundhand nibs with penholder and reservoirs.
A calligraphy fountain pen is a handy addition for practice work. (Any left-handers will benefit by choosing left hand oblique nibs).
Calligraphy ink. NOT WATERPROOF. Avoid Indian ink whether waterproof or not.
Gouache or watercolours. Coeruleum Blue, and Vermilion. Winsor & Newton Gold ink. (Optional but very handy.)
2, HB and I, 2H pencil. A 00 paint brush. A cheap brush for mixing. A palette or saucer. A jar for water and a kitchen roll.
An A3 Layout pad or even a cheap sketch book. If you have some, a nice HP watercolour paper for your finished work
If you have problems obtaining any commercially marketed equipment, You might try going back to basics and making your own. It is a good idea anyway to experiment with quills, reeds, bamboo, tin cans etc.
My take on the Cola pen. The RED STRIPE Pen. To my mind, much more fun emptying the can.  A chisel cut pencil to dip.  A needlepoint and 6mm with film reservoir.  Bamboo, and a 2mm Reed.
Make sure mummy and daddy are supervising.  Heheh. We don’t want any cut fingers! With scissors, cut top and bottom from the can, making sure you have first downed the contents.  (Adults, it might be best to leave this stage ’til tomorrow, depending on the strength of the aforesaid).
Carefully, (The cut tin can will be very sharp).  Open up and then fold down the length of the metal. Cut whatever shape you are looking for for the nib…then continue down the length,making sure to leave enough for the handle. This is rolled and then taped tightly. Perhaps strengthening by rolling the handle round a pencil. You could make a much prettier job by soldering.Just make sure that all bare edges are covered or blunted.  ‘speriment and enjoy.
You might like to note that I have been experimenting with various materials to use as reservoirs. The best so far is old fashioned film or even negatives. Used flat it can be cut and pushed into a slit formed in the quill, reed, bamboo or whatever, or rolled into a spring and pushed into the aperture.
Some other examples…………..
Now may I suggest that you join Lesson One. If you have any problems, questions, advice, etc., do not hesitate to use the comment boxes throughout this site.
If I don’t know the answer, I’m sure to know someone who does.
I hope you get as much enjoyment as I do from making good letters.
Keep watching this space.
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JEWELS. Another knot in my golden thread?


Isn’t it strange, how sometimes, something catches the eye and demands your attention?

An unexpected treasure.

Walking through the shopping precinct in Houghton Regis, a small town between Luton and Dunstable, that Gill and I rarely visit, I noticed a shop window full of old reconditioned sewing machines.  It was not the machinery that had attracted me but the various display cards that accompanied them which were all written in a very distinctive hand.  Then I realised it was not just sewing machines for sale but a whole range of art and craft materials, and what scribe can stop themselves from entering what they see as an Aladdin’s cave?

Just a glimpse.

Cutting a very long story short.  I found that the cards in the window were written by Julie Kent, a co- student of the calligraphy class I had attended in Dunstable College, some thirty-ish years ago.  Though we have both taught and practised our art in the same area for all this time, we had never come into contact again.

Now, it seems that Julie, in partnership with Les, runs this emporium as an outreach for a local church and offers facilities for children’s groups, various classes, arts/crafts, and yes you’ve guessed it, CALLIGRAPHY WORKSHOPS .

Subsequently I have returned on two occasions during calligraphy sessions and having met the participants and seen some of their work, I must say I am impressed, not only with the standard of work achieved, but with the enthusiasm, commitment and friendliness of all involved, and the TEA!  Hot, strong and sweet!  Oh! and each time I have walked away with a bag full of goodies.  Brand names at very reasonable prices.  I can’t wait to get to grips with the Fabriano papers.

Some of the works created by Julie’s group.

On top of all this, Julie continues to take commissions. Not only for calligraphy but also her beautiful watercolour paintings.

Some of Julie’s pieces .

Congratulations to all you hard-working folk at JEWELS ARTS and CRAFTS CENTRE, Bedford Square, Houghton Regis.  You are doing a wonderful job.

I hope you have enjoyed this foray into deepest Bedfordshire.  I hope it will be a reminder to us all to keep our eyes open for those little gems that are literally on our doorsteps.

A link to my subsequent Calligraphy Workshop at Jewels.

Keep watching this space.

Gallery

Calligradoodles_0003 How to write a Roman alphabet with double pencil.


Gallery

Calligradoodles_0002 How to write a roundhand alphabet with double pencil