Luton Calligraphy Workshops. Week 4

Link to week 3

Luton Calligraphy Workshops. Week 4.Img. jpg

Before I begin this week’s write up, I would like to thank Andrew for getting in touch and offering some toughened glass suitable for light-tables, and also for delivering same to the museum. Your generosity is greatly appreciated. They were soon snapped up and are probably in use already.

Luton Calligraphy Workshops. Week 4. Light Table. img.jpg.

Here Peter is trying my portable Light-Table and finding it easier to transfer lines from his guideline sheet.  For more information on working with Light- Tables, especially layout issues as discussed this week, have a look at this earlier post on hints and tips.

Luton Calligraphy Workshops. Week 4. Pen-work. img. jpg

Now, while beginning to get to grips with broad nib and ink, we explored how the balance of the written page is found, bearing in mind that the optical centre, is, as with letter construction, (i.e. the central cross stroke on “E” sits on the centre line rather than straddling or hanging from it), slightly above a measured centre. The hints from “My Cool School”, on putting together a brochure give a very good illustration. As the author writes,

You can measure all you want, follow all the rules, and do everything you have been taught, but the bottom line is:  If it doesn’t Look right – it isn’t!”

Luton Calligraphy Workshops. Week 4. Coming on Nicely. img jpg.

Next, how to plan a page of script, perhaps a poem, without having to write out the whole page only to find you haven’t left enough room. It is a good idea to always copy text from a printed page. It saves any ambiguity (specially when dealing with a client), and at a glance you can pick out the longest line. After first working out, with your guide-line sheets, how many lines you can get on your page, write this longest line in the chosen script  and size. If it is too long or short for the sheet it is meant for, you can either modify the page size, or the size of script, or use a more compressed script, or opt to write that particular line on two lines. Either way you are now in a position to know that what you have planned for the page will actually fit. Your work will now fail only due to faulty execution rather than bad planning.

Luton Calligraphy Workshops. Week 4. A nicely balanced page. img. jpg.

Having been asked to PPP with all their might, the slightly bemused, exhausted group, left with these words ringing in their ears, “Heheheh”.  “Just wait to see what I have in store for you next week”

Looking forward to the final session, for now, I hope, and to seeing you all next week.

Cheers.   Bill.

Link to week 5

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3 responses to “Luton Calligraphy Workshops. Week 4

  1. Pingback: Luton Calligraphy Workshops. Week 5 | BILL'S SPACE

  2. Pingback: Luton Calligraphy Workshops. Week 3 | BILL'S SPACE

  3. Pingback: The Misunderstood Child. | BILL'S SPACE

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